Can you tell readers a
little bit about yourself and what inspired to write in this particular genre?
I spent nearly fourteen
years working in developing countries and this inspired me to write paranormals
on two levels. First, the local
superstitions and magical practices were fascinating. Second, I had a lot of time on my hands, and
ended up taking Tarot courses online.
Since Tarot is closely connected to Renaissance magic, alchemy, the
Kaballah, and hermeticism, I wound up with a superficial knowledge of a lot of
magical topics.
What inspired you to write
this book?
I was driving down the road
on a rainy day, thinking about how much I disliked my job, and began fantasizing
about being a P.I. Then I wondered about
what a metaphysical detective would do, and what sort of character would do
that kind of job. The Riga Hayworth
character was born!
Please tell us about your
latest release.
In The Alchemical Detective,
Riga’s lost (most of) her magic and is trying to figure out how to get it
back. At some level, she’s not sure if
she wants to – magic hasn’t always been her friend. But there’s a serial killer on the loose and
he’s using demons to attack magical practitioners. Riga has reason to believe she may be on his
list. And while she’s got lots of
mundane skills to fight back, in the end, she’ll need to get her magic back on
track.
Do you have a special
formula for creating characters' names? Do you try to match a name with a
certain meaning to attributes of the character or do you search for names
popular in certain time periods or regions?
I try to match character
names to their personality, so it’s easier for the reader to remember who’s
who.
Was one of your characters
more challenging to write than another?
Initially when I wrote
about the women in the Tea and Tarot group, I wanted to set them at odds with
Riga. I discovered that I’d made them
too unlikable, and had to go back and humanize them a bit more.
Is there a character that
you enjoyed writing more than any of the others?
I really enjoy writing
Riga, because she doesn’t put up with any %$#@.
I wish I could be more like her!
Do you have a formula for developing characters? Like do
you create a character sketch or list of attributes before you start writing or
do you just let the character develop as you write?
For my main characters, I create a fairly detailed
character biography. But with the minor characters, I actually rely on Tarot
cards, e.g. a Queen of Wands or Emperor character. The Tarot court cards in particular have
quite well developed positive and negative traits which work fairly
consistently together.
What is your favorite scene
from the book? Could you share a little bit of it, without spoilers of course?
The entire book is working
towards the climax, where Riga faces off with the killer, so I spent a lot of
time thinking about that scene. However,
there is another scene, which takes place in a burning church tower, which I
like quite a bit as well. I’d better not
say anymore about it!
Did you find anything
really interesting while researching this or another book?
I did a lot of research
about alchemy for the book, and learned that some alchemists never stepped into
a lab at all – they did all their work in their heads. I like that idea, but I don’t think I have
the discipline for it.
What is the most
interesting thing you have physically done for book related research purposes?
The fact is, a lot of
Riga’s interests are my own (shooting, martial arts, the paranormal) so I
didn’t have to do anything special in the way of research. I do try to be true to my knowledge of
martial arts when Riga gets into a fight, and particularly the idea that just
because you’re good at martial arts, doesn’t mean you can’t get your ass
kicked. There’s always someone better
than you. I hate it when fictional
characters get cocky about their fighting skills.
Can you tell readers a
little bit about the world building in the book/series? How does this world
differ from our normal world?
The magic is a lot more
over than the normal world. I wanted to
use “real” magical practices as they’re used today, so I spoke with
demonologists… oh, hey, I did do some original research for this book! Where was I?
Oh yeah, I wanted to incorporate spells and current magical
practices. But the reality is that when you’re
summoning a demon, 99.9% of the time the demon does not appear in 3D,
fire-spitting glory. For the purposes of
the book, I went for the 3D fire-spitting glory.
With the book being part of
a series, are there any character or story arcs, that readers jumping in somewhere
other than the first book, need to be aware of? Can these books be read as
stand alones?
The book can be read as a
stand alone, but if you want to find out how Riga lost her magic, and how she
met Donovan, you’ll have to read Book One, The Metaphysical Detective.
Do any of your characters
have similar characteristics of yourself in them and what are they?
They are all much cooler
than I am. So… not really.
Do you ever suffer from
writer’s block? How do you deal with it?
I force myself to write
anyway. What goes on the paper may be
garbage, but it’s the only way to get through it. And then I have to edit like mad.
Do you have any weird
writing quirks or rituals?
No, I wish I did. Maybe I’d be more organized about writing
then.
Do you write in different
genres?
I wrote a historical
mystery which was never published – and rightfully so. It wasn’t very good. I’ve also got a straight mystery/suspense
novel in my head which I hope to come out with in 2013.
When did you consider
yourself a writer?
When people started sending
me fan mail. I know, I know – it’s
shallow of me. I need validiation!
What are your guilty
pleasures in life?
Chocolate and wine and
Ghost Whisperer reruns.
Other than writing, what
are some of your interests, hobbies or passions in life?
Martial arts are my number
one hobby, but just to be clear, I’m not particularly good at them. And of course wine tasting!
What was the last amazing
book you read?
The Shadow of the Wind by
Carlos Ruiz Zafon. It’s a sort of
gothic/paranormal set in Spain and it’s beautiful and mind bending.
Where is your favorite
place to read? Do you have a cozy corner or special reading spot?
Bed! In fact, I’ve got books stuffed under my
pillows, which is, admittedly, uncomfortable.
What can readers expect
next from you?
The sequel to The Alchemical
Detective, The Shamanic Detective is (fingers crossed) going to be available on
Amazon this Halloween.
Where can readers find you
on the web?
They can find me on my
website, at: kirstenweiss.com and my twitter handle is @RigaHayworth
Would you like to leave
readers with a little teaser or excerpt from the book?
Chapter 1: Calcination
The egg quivered, then rolled,
seemingly of its own accord, to the edge of the counter.
Riga stared at it, her
violet-colored eyes narrowed in concentration.
Magic, she reminded herself, was a matter of will and she had that in
spades. However, it was also a matter of
focus and in this area, she was lacking.
The egg trembled, then slowly
rose into the air; one inch, two inches, five.
“Yes,” Brigitte said
encouragingly, her voice a French-accented Lauren Bacall. Her stone claws tensed, gouging tracks in the
linoleum countertop.
The egg exploded, splattering the
gargoyle with shell and yolk.
Brigitte shrieked, the sound of
rocks scraping against each together.
“Faugh! Water! Bring ze water!”
Riga hurried to the sink and
turned on the tap, frustration wrinkling her brow. She grabbed a dishtowel and soaked it in warm
water. Her hands trembled and Riga swore
under her breath. Two months ago, this
would have been easy.
At first she’d thought her magic
was gone. Now Riga knew it had gone
haywire and her rehab attempts weren’t working.
If anything, her magic had become more unpredictable, more dangerous. She only dared practice with Brigitte because
the centuries-old gargoyle was made of stone.
But even Brigitte wasn’t indestructible.
Someone beat upon the front door
and Riga whipped around, startled. She
should have sensed whoever was coming up the steps. Another small failure. More pounding; the cheap wooden door vibrated
beneath the blows.
“Police! Open the door!”
Gargoyle and woman looked at each
other. Woman acted first. Riga tossed the towel in the sink. “Don’t move,” she said to Brigitte.
“But ze egg. It dries like cement,” Brigitte wailed.
“Later.” Riga hurried to the door and flung it
open. A chilly blast of pine-scented air
swept inside, tossing Riga’s auburn hair and stinging her skin.
Two sheriffs stood before her in
wide brimmed hats and heavy dark brown parkas.
Riga might have taken them for rangers had it not been for their belts,
strapped with weapons, slung low on their hips.
The older one had his fist raised for another round of door
pummeling. He lowered it with what
looked like regret. He was bulky,
bearlike, with steel blue eyes, and she imagined he enjoyed making the door
shiver beneath his fist. The tag under
his badge read: Sheriff John King. The
badge itself: El Dorado County.
“I heard a woman scream,” King
said.
“I banged my shin on the coffee
table,” Riga said.
“Are you alone?” He peered over Riga’s shoulder. It wasn’t hard – Riga was five foot six, and
he stood well over six feet tall, imposing in every direction.
“Yes. Can I help you?” Riga didn’t budge, unwilling to let them
in. It wasn’t that Riga didn’t like
cops; she was friends with plenty of them, when they were out of uniform.
“It was quite a scream,” he said.
She quirked her lips. “Now you’re just embarrassing me.”
The Sheriff looked at her. She returned his gaze. The silence stretched between them.
The Deputy coughed. “Are you Ms. Hayworth?” he asked. Riga figured him for his early thirties,
which meant she had a decade on him. He
was well built, and between the startling pale blue of his eyes and the
chiseled planes of his face, would have looked at home on a magazine
cover. But Riga’s gaze was drawn to the
Sheriff. The Deputy had youth, the
Sheriff had presence.
“I’m Riga Hayworth.”
“My name is Night, Deputy
Night. May we come in? Please?”
He smiled ruefully, exposing dimples and gleaming white teeth. “It’s kind of cold out here.”
Riga hesitated. But she wasn’t wearing a coat and was
freezing in the doorway. She could feel
the heat from the cabin oozing past her, out the door. “Okay.”
Reluctantly, she stepped back, and allowed them past her.
Hands resting on the butts of
their guns, they prowled the room as if they owned the place. They could have it, for all Riga cared. It was one of the lower-end tourist cabins,
crammed with a mis-matched jumble of seventies era furniture. A giant picture window looked out upon a
forest scene: pines, and patches of snow
wetting the ground. The afternoon sun
slanted low in the sky, sending beams of light glittering through damp tree
branches.
Brigitte, still covered in egg, had shifted to
face the cabin’s small living room. The
deputy stared at the gargoyle, walked to Brigitte, and ran his hands across her
stony feathers as if in a caress.
Brigitte would love that, Riga thought.
“Cool harpy,” he said. “Where’d you find it?”
“Garage sale.”
Night tucked his hat under one
arm, and ruffled his blond hair with his free hand. “Do you know it’s got egg on it?”
“Forget the statue,” the Sheriff
barked. Turning, he stumbled over a
cheap American-Indian themed rug. “Miss
Hayworth, may we sit down?”
She indicated the lumpy sofa, a
cruel gesture given the state of its springs, but she didn’t want them to
linger.
They sat. She remained standing.
The Sheriff removed his hat and
put it on a nearby coffee table, covering decades of coffee rings. “Riga Hayworth. Is that your real name?”
She raised an eyebrow. “If you mean, did my parents choose it? Yes.”
“Funny sort of name,” King
said. “Like that old movie star. Were your parents fans?”
She shook her head, no. Not after she’d grown to look more and more
like the screen siren; that had disturbed her parents, made them wonder if
they’d really picked the name or if the name had picked their daughter. Riga’s resemblance to Rita Hayworth was
uncanny; auburn hair, arched eyebrows, and olive skin.
“How well did you know Sarah
Glass?” King asked.
Riga looked at him blankly.
Sheriff King shifted with
impatience. “Otherwise known as Lady
Moonstone.”
“The palm reader?” Riga asked,
surprised. “Not at all. I think she’s a member of the Tea and Tarot
group. She didn’t show at last week’s
meeting, which was my first, so I never had a chance to meet her.” Riga had forced herself to attend for the
first and probably last time. She wasn’t
a joiner.
Now, Riga knew, she was supposed
to ask why the police wanted to know about Sarah Glass. But the cops weren’t here to satisfy a casual
curiosity. Something bad had happened
and Riga wanted to put off learning what it was for as long as possible. Though her magic had gone awry, she sensed
the tug of something dark and inexorable moving towards her, and didn’t like
the feeling.
“What’s Tea and Tarot?” King
asked.
“The local metaphysical
professionals meet twice a month to talk shop at the Fortune Teller’s CafĂ©.”
“Who was there last week?” the
Sheriff said.
“The owner of the cafĂ©, Tara, was
there. She reads cards. Lily, a tea leaf and palm reader was
too. And so was an astrologer, Audrey. She also has an energetics practice.”
“Energetics?” Night asked.
“Reiki, that sort of thing,” Riga
said.
The Sheriff drummed his fingers
on the nearby table. “I hear you’re a
P.I. of some sort, did some consulting for the Oakland police.”
Riga crossed her arms,
thinking. The Oakland connection was an
odd one for them to pick up since she’d lived in San Francisco. The SF cops would have been a more obvious
reference. “I’m a metaphysical detective
and I have a California investigator’s license.
I’m not licensed in Nevada. How
did you hear of it?”
“Cops talk,” the Sheriff
said. “They said you knew how to keep
your mouth shut.”
It wasn’t exactly a rave review,
but she couldn’t blame the Oakland PD.
It had been an unusual case, even by her standards. She was surprised
they talked about her at all. “Are you
looking to hire a consultant?” Riga placed a subtle emphasis on the word
“hire.” She’d come here for an extended
vacation, but turning it into a work trip held a certain tax deductible
appeal.
In response, the Sheriff unzipped
his parka and pulled out a manila file folder.
From it he withdrew an eight by ten photo. He extended it towards her.
Okay, she thought: he wanted to
see what a metaphysical consultant could do.
She took the photo, and returned to her spot against the counter beside
the gargoyle. Riga held the picture
before her so Brigitte could view it: a black and white glossy of a metal disk
with a symbol impressed upon it – two concentric circles with oddly shaped
letters and symbols drawn between the two and a square grid in the center
overlaid with jagged lines. The
expression on her face flickered, then stilled.
“You know it?” the Sheriff said,
leaning forward in his seat.
She grimaced in distaste. “It’s a sigillum used to summon and control a
demon when you don’t know the demon’s name,” she said. “The style is similar to the Sigillum Dei
Aemeth created by John Dee but there are key differences which make this
unique. There was a man in Paris who
used a system like this, invented it in fact, named Francois Lefebvre. The Parisian police will have a file on
him. He died five years ago in a
fire. Lefebvre didn’t take students,
wasn’t the type to share, but he had servants.
They may have learned his technique.”
“How did you learn it?” the
Deputy asked. He was taking notes and
turning a pencil between his fingers.
His hands were calloused, roughened by work, and she imagined the young
man swinging an axe, splitting firewood.
“I never said I learned it,” she
said.
“But you know enough to identify
it,” Night persisted.
“Lefebvre tried to summon a demon
in my presence,” she said dryly. “It’s
not something one forgets.”
The Sheriff’s bushy eyebrows
rose. “Did he succeed?”
“Of course not,” she said. Lefebvre had succeeded in raising the demon,
but not in controlling it. Riga had seen
to that. The demon had seen to
Lefebvre. Riga had managed to evade the
Parisian cops, keep her involvement secret, and she wasn’t about to upset the
status quo.
“You haven’t asked me what this
is about,” King said.
“What’s this about, Sheriff?”
“Sarah Glass was murdered. We found this beside her, and now you tell me
you’re one of the few people in the world who knows what this is and how to use
it.”
Damn it. She should have known nothing good could come
from telling them about Lefebvre. But
she’d maintained a reasonable relationship with the authorities by not
withholding evidence, even when the police neither liked nor believed her.
“I understand you’ve got some fighting
skills?” the Sheriff asked. “Have
studied martial arts?”
“I’m no black belt. What does hapkido have to do with this
sigil?”
The Sheriff leaned forward, his
stare unrelenting. “So what happened
here? Did a demon kill her?” His voice was mocking.
“I have no idea how she died or
by whose hand,” Riga said. “If I had
more information—”
He stood and replaced his
hat. “Can’t give you that. Thanks for your help, Miss Hayworth.
Don’t leave town.”
The Alchemical Detective
By Kirsten Weiss
By Kirsten Weiss
Book Two in the Riga Hayworth Series
Genre: Paranormal Mystery
Date of Publication: May 31, 2012
ISBN: 978-0-9855103-1-2
ASIN: B0085XCDL8
Number of pages: 289
Word Count: 75,000
Purchase Links: Kindle
Book Description
A psychic has been murdered in an occult ceremony and the police pay a visit to Riga Hayworth, metaphysical detective. But this time, she’s not a consultant on the case, she’s a suspect.
There’s a storm on the horizon. Riga’s lost her magic, and has come to Lake Tahoe to recover and spend quality time with her new love. But life for Riga is never that simple. A psychic’s been murdered, and the police believe Riga has a connection to the crime. They’re right. And if that’s not enough, Riga is drafted as the host of a reality TV show about the local lake monster, and her niece is rejecting her metaphysical abilities. Juggling demons, daimons, and angry tarot card readers, Riga must catch a killer before she becomes the next target.
The Alchemical Detective is a paranormal mystery that explores a world of alchemy and the imagination.
Author Bio:
Kirsten Weiss is the author of two paranormal mysteries available on the Kindle: the urban fantasy, The Metaphysical Detective, and The Alchemical Detective. She is hard at work on the sequel, The Shamanic Detective.
Kirsten worked overseas for nearly fourteen years, in the fringes of the former USSR and deep in the Afghan war zone. Her experiences abroad not only gave her glimpses into the darker side of human nature, but also sparked an interest in the effects of mysticism and mythology, and how both are woven into our daily lives.
Now based in San Mateo, CA, she writes paranormal mysteries, blending her experiences and imagination to create a vivid world of magic and mayhem.
Kirsten has never met a dessert she didn’t like, and her guilty pleasures are watching True Blood and drinking good wine.
Follow her on Twitter at https://twitter.com/#!/RigaHayworth, view her world boards on Pinterest http://pinterest.com/kirstenweiss/or check out her blog at http://kirstenweiss.com
Author site/blog: http://kirstenweiss.com
Twitter: https://twitter.com/#!/RigaHayworth
Pinterest: http://pinterest.com/kirstenweiss/
2 comments:
Cool interview! I'd never think to develop characters through Tarot cards. And I love the premise for Alchemical Detective. Can't wait to read it.
Thanks, Kassandra!
Tarot is so archetypal, it's almost become a crutch for me when I'm writing characters. I catch myself thinking, "Wait, is this REALLY what the Queen of Swords would do?"
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