You gotta admit it—Louisiana makes a great fictional setting. Even if you take away New Orleans and its storied history, supernatural influences, and rich culture, the rest of the state—at least the Southern half of the state can hold its own. It’s why I keep returning to Louisiana whether I’m writing about paranormal critters or sexy human game wardens, as in my new release WILD MAN’S CURSE. (Even my Penton vampires paid a visit to my favorite state.)
Admittedly, I’m biased, having lived in New Orleans for many years, but I also have lived in various spots in Alabama, Illinois, California, and Texas. I’m plotting a possible move to Florida. But still, it’s Louisiana I turn to when I start thinking up story ideas.
Every state has its own version of the Louisiana Department of Wildlife and Fisheries, so why did I want to set mine in Terrebonne Parish, Louisiana? Here are my five major reasons:
1) I’m a fan. Louisiana’s Wildlife and Fisheries department has a number of divisions. Some of the agents are biologists and ecologists, working to save the state’s fragile and crumbling wetlands and its rich aquaculture. But I have been fascinated with the enforcement division—the law enforcement officers of the department—ever since they were virtually first on the scene in New Orleans after Hurricane Katrina, bringing in boats from all over the state, plucking people out of the floodwaters while the politicians were still arguing. Idiots shot at them, but still they kept at it in hundred-degree temperatures in filthy water. I became a fan.
2) They’re badass. How can someone irreverently called a “possum cop” be badass? Believe me, these are great romantic hero material. The enforcement division’s training is said to be second only to U.S. Special Forces. Think about it: they have to work carrying heavy equipment and body armor in hot bayous full of snakes and gators and where almost every human they encounter has a gun of some kind. And maybe has been drinking. A bad combination.
3) Terrebonne Parish has the harshest of the harsh in terms of terrain. Located dead center at the bottom of the state and jutting into the Gulf of Mexico, Terrebonne is Louisiana’s second-largest parish (what we call counties) and is more than half water. The half that isn’t water is often fragile marsh and wetlands and a thousand tiny islands reachable only by water. In a parish that is as broad as it is long, only three narrow north-south roads stretch through the watery lands south of Houma, and only one makes it past the halfway point. While a drug deal falls under the jurisdiction of the parish sheriff, the officers most likely to stumble across a drug deal gone bad, while roaming the parish waterways, are the wildlife agents. And yes, they can arrest you just as well as a sheriff’s deputy. This seems to surprise some criminals
4) Terrebonne has a diverse, rich culture. Celestine Savoie, the heroine of WILD MAN’S CURSE is part Cajun (descended from the French Acadians driven out of Canada by the English in the 1700s), part Creole (descended from the French-speaking free people of color who settled in the region about the same time); and part of the Chitimacha band of Native Americans, who are indigenous to this land. Her great-aunt is a voodoo practitioner, and Celestine has a few moves of her own. Here and in the Atchafalaya basin north of the parish, one will still occasionally find old-timers who speak only a local version of French. People live close to the land here, and you won’t find a more big-hearted and beautifully eccentric population anywhere.
5) Danger! It never hurts to set a suspense or thriller novel in a dangerous place, right? It might not be the type of danger one normally thinks of—crime rates or terrorism potential—but this land at the bottom of the country has alligators. A LOT of alligators. Snakes. A LOT of snakes. Nutria—big orange-toothed swamp rats. Did I mention hurricanes and frequent flash floods?
So those are the reasons I picked wildlife agents—and a place full of wildlife—in which to set the Wilds of the Bayou series, of which WILD MAN’S CURSE is the first. I hope you’ll check out my agent, Gentry Broussard, and fall in love too.
Wild Man’s Curse
a Rafflecopter giveaway
Admittedly, I’m biased, having lived in New Orleans for many years, but I also have lived in various spots in Alabama, Illinois, California, and Texas. I’m plotting a possible move to Florida. But still, it’s Louisiana I turn to when I start thinking up story ideas.
Every state has its own version of the Louisiana Department of Wildlife and Fisheries, so why did I want to set mine in Terrebonne Parish, Louisiana? Here are my five major reasons:
2) They’re badass. How can someone irreverently called a “possum cop” be badass? Believe me, these are great romantic hero material. The enforcement division’s training is said to be second only to U.S. Special Forces. Think about it: they have to work carrying heavy equipment and body armor in hot bayous full of snakes and gators and where almost every human they encounter has a gun of some kind. And maybe has been drinking. A bad combination.
3) Terrebonne Parish has the harshest of the harsh in terms of terrain. Located dead center at the bottom of the state and jutting into the Gulf of Mexico, Terrebonne is Louisiana’s second-largest parish (what we call counties) and is more than half water. The half that isn’t water is often fragile marsh and wetlands and a thousand tiny islands reachable only by water. In a parish that is as broad as it is long, only three narrow north-south roads stretch through the watery lands south of Houma, and only one makes it past the halfway point. While a drug deal falls under the jurisdiction of the parish sheriff, the officers most likely to stumble across a drug deal gone bad, while roaming the parish waterways, are the wildlife agents. And yes, they can arrest you just as well as a sheriff’s deputy. This seems to surprise some criminals
4) Terrebonne has a diverse, rich culture. Celestine Savoie, the heroine of WILD MAN’S CURSE is part Cajun (descended from the French Acadians driven out of Canada by the English in the 1700s), part Creole (descended from the French-speaking free people of color who settled in the region about the same time); and part of the Chitimacha band of Native Americans, who are indigenous to this land. Her great-aunt is a voodoo practitioner, and Celestine has a few moves of her own. Here and in the Atchafalaya basin north of the parish, one will still occasionally find old-timers who speak only a local version of French. People live close to the land here, and you won’t find a more big-hearted and beautifully eccentric population anywhere.
5) Danger! It never hurts to set a suspense or thriller novel in a dangerous place, right? It might not be the type of danger one normally thinks of—crime rates or terrorism potential—but this land at the bottom of the country has alligators. A LOT of alligators. Snakes. A LOT of snakes. Nutria—big orange-toothed swamp rats. Did I mention hurricanes and frequent flash floods?
So those are the reasons I picked wildlife agents—and a place full of wildlife—in which to set the Wilds of the Bayou series, of which WILD MAN’S CURSE is the first. I hope you’ll check out my agent, Gentry Broussard, and fall in love too.
Wilds of the Bayou Series
Book One
Susannah Sandlin
Genre: Romantic Suspense
Publisher: Montlake Romance
Date of Publication: April 5, 2016
ISBN: 978-1503934740
ASIN: B017IKQWAG
Number of pages: 284
Word Count: approx. 86,000
Cover Artist: Michael Rehder
Book Description:
The bones said death was comin’, and the bones never lied.
While on an early morning patrol in the swamps of Whiskey Bayou, Louisiana wildlife agent Gentry Broussard spots a man leaving the home of voodoo priestess Eva Savoie—a man who bears a startling resemblance to his brother, whom Gentry thought he had killed during a drug raid three years earlier. Shaken, the agent enters Eva’s cabin and makes a bloody discovery: the old woman has been brutally murdered.
With no jurisdiction over the case, he’s forced to leave the investigation to the local sheriff, until Eva’s beautiful heir, Celestine, receives a series of gruesome threats. As Gentry’s involvement deepens and more victims turn up, can he untangle the secrets behind Eva’s murder and protect Celestine from the same fate?
Or will an old family curse finally have its way?
Excerpt:
CHAPTER 1
The bones said death was comin’, and the bones never
lied.
Eva Savoie leaned back in the
rocking chair and pushed it into motion on the uneven wide-plank floor of the
one-room cabin. Her grandpere Julien
had built the place more than a century ago, pulling heavy cypress logs from
the bayou and sawing them, one by one, into the thick planks she still walked
across every day.
She had never known
Julien Savoie, but she knew of him. The curse that had stalked her family for
three generations had started with her grandfather and what he’d done all those
years ago.
What he’d brought
with him to Whiskey Bayou with blood on his hands.
What had driven her
daddy to shoot her mama, and then himself, before either turned forty-five.
What had led Eva’s
brother Antoine to drown in the bayou only a half-mile from this cabin, leaving
a wife and infant son behind.
What stalked Eva now.
The bones said death was coming
and, once Eva was gone, the curse should go with her. No one else knew the
secrets of Julien Savoie and this cabin and that box full of sin he’d dug out
of the bayou mud back in Isle de Jean Charles.
Might take a while, but sin
catches up with you. Always had. Always would. And the curse had driven Eva to
sin. Oh yes, she had sinned.
She’d known her reckoning would
catch up with her, although it had taken a good long time. She’d turned
seventy-eight yesterday, or was it eighty? She couldn’t remember for sure, and
the bones said it didn’t matter now.
On the scarred wooden table
before Eva sat three burning candles that filled the room with the soft,
soothing glow of melting tallow. She’d made them herself, infusing them with
the oil of the fragrant lilies that every spring spread a bright green carpet
over the lazy, brown water of the bayou. The tools of her ritual sat on an
ancient square of tanned hide passed down through generations of holy ones, of
those blessed by the gods with the ability to throw the bones.
A small mound of delicate chicken
bones, yellowed and fragile from age, lay inside the circle of light cast by
the candles. Daylight would come in an hour or so, but Eva didn’t expect to
last that long. Death was even now making his way toward her.
She leaned forward, wincing at
the stab of pain in her lower back. Since the first throw of the bones had
whispered her fate two days ago, she’d been cleaning. Scrubbed the floor, worn
smooth by decades of bare feet. Washed the linens, folding them in neat piles
in a drawer at the bottom of the old pie safe. Discarded most of the food in
the little refrigerator that sat in the corner. Dragged the bag of trash down
the long, overgrown drive past LeRoy’s old 1970 Chevy pickup that she still drove
up to Houma for groceries and such once a month. Left the white bag at the side
of the parish road for the weekly trash collection.
She’d spit on LeRoy’s truck as
she passed it because she couldn’t spit on the man who bought it. He was long
gone.
Now the cleaning had been
finished. Whoever discovered her raggedy old body wouldn’t find a mess, not in
Eva Savoie’s house.
A few minutes ago, with the old
cabin as clean as she was capable of making it, she’d thrown the bones one last
time. Part of her hoped they’d read different, hoped she’d be granted a few
more days of grace.
But the bones still whispered
death. Eva accepted it, and she sat, and she waited. At least the girl,
Celestine, would inherit a cleaned-up house. The girl, Antoine’s granddaughter,
knew nothing of the secrets, nothing of the curse. Eva had made sure of that….
Eva waited for her heart to
fail—that seemed to be her most likely way to go. As she rocked she noted each
steady beat, biding her time for the instant when the thump-thump-thump would falter and her breath would catch, then
stop. She reckoned it would hurt a little, but what if it did? The curse had
doled out worse ends to those who came before her.
She’d doled out worse herself.
The buzz of a boat’s motor
sounded from outside the cabin, faint but growing louder. Wardens on patrol
already, most likely.
The boat’s engine grew louder,
finally coming to an abrupt stop so near, it had to be right outside her door.
Silence filled the room once again, until through her bones she felt the thud
of someone jumping onto the porch that wrapped around the cabin. The porch
formed the platform on which the house sat, linking it to the spit of land
behind it when the water was normal. When storms blew through, it provided an
island on which the cabin could sit or, if need be, float.
As heavy footfalls crossed the
porch, Eva struggled to her feet. Every pop and crackle of her joints knifed
streaks of pain through her limbs as they protested the cleaning they’d done,
followed by the sitting.
Prob’ly a game warden, checkin’
on her. Too bad he hadn’t stopped a little later, after she was gone. She
didn’t like to think of her body having to bake in the hot cabin for days
before anyone found her.
But the curse was what it was,
and the bones said what they said.
The knock, when it came, was
soft, and Eva reached the door with the help of a sturdy cane she’d carved
herself. Opening the door, she squinted into the glare of a flashlight that
seemed almost blinding after the soft light of the candles. She peered up at a
young man with eyes that gleamed from beneath the hood of a jacket. He was not
a game warden, and it was too hot for a jacket.
“Who are you?” Her voice cracked.
She knew who he was. He was Death.
“The devil come to pay you a
visit, Eva.” The man’s voice was smooth as silk, smooth as a lie, smooth as
death itself. “And you know what the devil wants.”
She knew what he wanted, and she
knew the only way to end the curse was to deny him.
She’d been granted no easy
passing by the Savoie curse after all, but she would die today.
The bones never lied.
About the Author:
Susannah Sandlin is the author of the award-winning Penton Vampire Legacy paranormal romance series, including the 2013 Holt Medallion Award-winning Absolution and Omega and Allegiance, which were nominated for the RT Book Reviews Reviewers Choice Award in 2014 and 2015, respectively. She also writers The Collectors romantic suspense series, including Lovely, Dark, and Deep, 2015 Holt Medallion winner and 2015 Booksellers Best Award winner. Her new series Wilds of the Bayou starts in 2016 with the April 5 release of Wild Man’s Curse. Writing as Suzanne Johnson, Susannah is the author of the award-winning Sentinels of New Orleans urban fantasy series. A displaced New Orleanian, she currently lives in Auburn, Alabama. Susannah loves SEC football, fried gator on a stick, all things Cajun, and redneck reality TV.
Newsletter: http://www.suzannejohnsonauthor.com/newsletter
Twitter: @SusannahSandlin
Goodreads: http://www.goodreads.com/Susannah_Sandlin
Pinterest: https://www.pinterest.com/sj3523/
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