Showing posts with label zombies. Show all posts
Showing posts with label zombies. Show all posts

Saturday, November 23, 2013

Guest Blog with Stephen Kozeniewski Author of Braineater Jones

So, I met a hero of mine recently.  Common wisdom says not to meet your heroes, but common wisdom also used to say that the king’s stutter would only improve if he smoked more, so I generally try to give common wisdom a wide berth.  In this case my policy proved correct.
 
Here’s how it happened: I was sitting in a Thai bistro one Friday evening opposite my wife. Instead of doing anything germane like having a discussion we were both naturally on our phones playing with the internet.  Nestled amongst the popcorn philosophy and Buzzfeed links of Twitter I had received a tweet from Kimberly Garnick Giarratano, an author friend of mine.
 
KGG had tweeted me something along the lines of, “You’re a fan of Brian Keene, aren’t you?  Check this out.” 
 
The “this” in question was a tweet from Keene stating that he was going to be at a book signing in my area on Sunday along with J.F. Gonzalez, another big-time, heavyweight horror writer.
 
As it happens, yes, I am a big Keene fan.  In fact, THE RISING is what inspired me to start writing zombie fiction.  So, as an easter egg, I had the title character of my debut novel BRAINEATER JONES live on Keene Avenue.  I had never really considered advising the real-life Keene of my silly little tribute, but as soon as my friend tweeted me I knew what I had to respond.
 
So I said, “Of COURSE I’m a fan.  In fact, I named the street in BRAINEATER JONES after him.”
 
Lo and behold, Keene responded to the tweet, so I promised to come see him on Sunday and to bring him a copy of my book.  I signed it as soon as I got home from the restaurant because I knew that if he made me sign it in front of him I would shake so hard that it would look like my kitten had signed the book.
 
Sunday came and I drove to the book signing.  After I parked my nerves were, naturally, shouting at me with Neanderthal-like aplomb to run away. 
 
“Run off into the woods over there, Steve.  Don’t worry.  We’ll wait.”
 
Stupid nerves.  To steel myself, I quickly inhaled a…what the heck was it that day?  A Marlboro #27 I think.  And as I did so I watched folks walking in and out of the store.  The good news was there wasn’t a line crowded around the block, like I had been afraid of.  The bad news was that that I would actually have to engage other human beings in conversation, and, as I have already established, as an internet-addled child of the ‘90s I am completely incapable of normal human interaction.
 
I took a deep breath, adjusted my junk, and walked into the store.  And, no, there was no line in which to get lost and carefully blueprint my off-the-cuff banter.  Keene and Gonzalez were sitting at a table kitty-cornered to the entrance.  But of course they were!  They were the big draw that day.  THEY WERE THE REASON WHY ANYONE WAS COMING IN THAT DAY.
 
Keene’s hand shot out in my direction.
 
“Hey, how you doing, buddy?”
 
Actually, I have no idea what he said, but it was probably that, and probably all cool like a cucumber, too. 
 
“Hello!” I shrieked in my best falsetto, feeling my voice cracking as though I were contending with Puberty II: The Wrath of Hormones, “My name is Steve!  You must be Brian Keene and that must make you J.F. Gonzalez!”
 
You probably think I’m making liberal, excessive use of exclamation marks here, but, no, I’m pretty sure that’s what I sounded like.  And then, of course, as if to emphasize what cool cats they were, and how meeting me was in no way a profound, life-altering experience, they just talked like normal human beings back to me.
 
“Well, that’s cool, man.  Do you want me to sign those books for you?”
 
I had forgotten, of course, that I was clutching my entire Keene collection to my chest.  So I put down my old, battered copies of THE RISING, CITY OF THE DEAD, and DEAD SEA on the table, along with the much fancier, newer copies of the same.
 
“I’m an author, too!” I squeaked, “I named a book after you in my street!  I mean, I named a street after you in my book!”
 
And here I held up the copy of BRAINEATER JONES that I had secreted away with my Keene books. 
 
Keene actually took it…took it in his hands…and said, “Oh, yeah, you were on Twitter, weren’t you?  Hey, check this out, J.F., kid named a street after me in his book.  You remember how in THE RISING I named all the guys Romero and stuff?  And now the next generation is doing it.  That’s why I really like to hand the torch off to guys like you.  I’m sick of zombies, but you guys still find new ways to make them interesting.”
 
Hand the…I nearly swooned.  Had Brian Keene really just told me he was “handing the torch” off to me?  Well, to guys like me, anyway?  Wait a minute!  I’m a guy like me!  And here I had halfway convinced myself that he was going to tell me not to quit my day job.
 
“Let me just give you one piece of advice that I wish somebody had given me, though: don’t quit your day job.”
 
What?
 
“What?”
 
“Yeah, man, I quit my day job so now I don’t have health insurance.  It’s a mess.  And everybody always says, you know what they say?  ‘You’re an author.  You must be swimming in money!’”
 
All three of us laughed.  Just that week I had told my co-workers that my book had finally come out.  One of them had said to me, “If you had a book published, what are you still doing here?”  I related that story to the two horror icons and they laughed.
 
“Yeah, nobody understand that we’re not all making Stephen King money here,” Keene said.
 
“Or even Brian Keene money,” I said.
 
He rolled his eyes.
 
“Yeah, Brian Keene money, yeah right.  But, yeah, don’t quit your day job, at least until you have the backlist.  Fifteen books, something like that.” 
 
“Oh, yeah,” Gonzalez agreed, nodding, “You want to have at least fifteen books under your belt.  Well, maybe eight if you’re really successful.”
 
“This is really cool, man, though, thanks,” Keene said, turning my book back and forth in his hands, “Would you sign it?”
 
Ha ha!  I had outsmarted my own nerves this time.
 
“Oh, I already signed it for you.”
 
He opened and checked the frontispiece where I had written something, I forget what, but it was probably at least as slobberingly fanboyish as the rest of this article has been.
 
“That’s cool, man, I’m definitely going to read this.  Can you give me your contact info?”
 
A sudden jolt of cold lightning electrified my spine.  I had not anticipated that, though I had brought a Sharpie.  I began to slowly, tremblingly write out all eleven letters of my ridiculously long name, plus my first initial, which made up my email address.  About halfway through I looked up at Keene pitiably.
 
“I’m shaking here,” I said.
 
That’s when he clapped me on the back.
 
“Nah, man.  Nah.”
 
So, I bought one of Gonzalez’s books and got that signed, too, then I got pictures with the both of them with me (giving devil horns, naturally) and even a picture of them with Keene holding up BRAINEATER JONES.  To coin a term, it was the squee-est moment of my life.
 
Oh, I almost forgot to mention, they both really seemed to enjoy that I dedicated the book to Neil Diamond.  Big, big Neil Diamond fans, those guys.  They even said I should send him a copy.  Maybe I will.  And if I do, I hope Roxanne will have me back for the story of how I met Neil Diamond…
 
Book Description:

Braineater Jones wakes up face down in a swimming pool with no memory of his former life, how he died, or why he’s now a zombie. With a smart-aleck severed head as a partner, Jones descends into the undead ghetto to solve his own murder.

But Jones’s investigation is complicated by his crippling addiction to human flesh. Like all walking corpses, he discovers that only a stiff drink can soothe his cravings. Unfortunately, finding liquor during Prohibition is costly and dangerous. From his Mason jar, the cantankerous Old Man rules the only speakeasy in the city that caters to the postmortem crowd.

As the booze, blood, and clues coagulate, Jones gets closer to discovering the identity of his killer and the secrets behind the city’s stranglehold on liquid spirits. Death couldn’t stop him, but if the liquor dries up, the entire city will be plunged into an orgy of cannibalism.

Cracking this case is a tall order. Braineater Jones won’t get out alive, but if he plays his cards right, he might manage to salvage the last scraps of his humanity.


About the Author:  

Stephen Kozeniewski lives with his wife of 9 years and two cats in Pennsylvania, the birthplace of the modern zombie. He was born to the soothing strains of “Boogie With Stu” even though The Who are far superior to Zep, for reasons that he doesn’t even really want to get into right now. During his time as a Field Artillery officer, he served for three years in Oklahoma and one in Iraq, where due to what he assumes was a clerical error, he was awarded the Bronze Star. The depiction of addiction in his fiction is strongly informed by the three years he spent working at a substance abuse clinic, an experience which also ensures that he employs strict moderation when enjoying the occasional highball of Old Crow. He is also a classically trained linguist, which sounds much more impressive than saying his bachelor’s degree is in German.



 

Wednesday, September 5, 2012

Thursday, July 5, 2012

Fried Zombie Delight by Susan Abel Sullivan


Zombies scare the hell out of me. 

You can’t reason with them.  If you try, they’ll just eat you alive.  They stink.  They drop body parts all over the place.  I seriously doubt they’re house broken.  And if they bite you, they infect you and you become a ravening dead person.  Oh, sure, werewolves infect with their bite, too, but at least you remain human 25 days out of the month and you get to shape shift during the full moon—or at will, depending on whose mythos we’re talking about.   

So, if I find zombies so horrifying, why in the world did I build a short story collection around them?

The answer is simple: in order to enjoy zombies, I have to find the absurd humor in them. Because otherwise, they’re too much like rabid serial killers, another horror trope that scares the pants off of me.  I like the thrill of being scared, but I also find comfort in the safety of being able to tell myself: It’s not real, it’s not real, it’s not real.  Zombies are too much like crazed maniacs to me. 

But darkly funny or silly zombies—those I can handle.  That’s why I love the movie ZOMBIELAND, but have to watch NIGHT OF THE LIVING DEAD with my hands over my face.  The first time I saw the latter, it was showing on the big screen and had to make fun of it out loud as if I were at THE ROCKY HORROR PICTURE SHOW because it was just too terrifying to deal with. 

In my newest short story collection, FRIED ZOMBIE DEE-LIGHT! Ghoulish, Ghostly Tales, I explore the humor in zombies & ghouls (and ghosts—oh, my!), ranging from wickedly sly to outright silly and everywhere in between with stories such as:

“Wanted: Certified Zombie Instructor”
“Zombie Hunting with my Mother”
“The Girl Next Door”
“Giving up the Ghost with Gabrielle Ghostly” or “Dear Gabby” – a mock advice column

And even a song, “Fried Zombie Dee-light!” 

I’ve also included a slyly humorous poem originally published in Asimov’s Science Fiction Magazine titled “Crushed” and one serious piece of magical realism, “Finding the Way Home.”

So, when you ask yourself what you want for dinner, try a little Fried Zombie Dee-light.  And be prepared to laugh yourself silly (or at least smirk a little).  You know you want to.   


Bio: Susan Abel Sullivan is the author of CURSED: WICKEDLY FUN STORIES and the forthcoming THE (REAL) HAUNTED HOUSEWIVES OF ALLISTER, AL from World Weaver Press.  She lives in a Victorian house in northeastern Alabama with two dogs, way too many cats, and a ball python named Pi. When not writing she likes to get her groove on by teaching Zumba classes. She is a graduate of the Odyssey Writing Workshop for speculative fiction. Her short fiction and poetry have appeared in numerous online and print publications, including Asimov’s Science Fiction Magazine, Andromeda Spaceways Inflight Magazine, ASIM Best of Horror: Vol II, Beyond Centauri, New Myths, AlienSkin, and Writers’ Journal.  She is currently working on a YA novel about the supernaturally challenged and a sequel to Haunted Housewives, THE WEREDOG WHISPERER.  Visit her website at: http://susanabelsullivan.weebly.com/



FRIED ZOMBIE DEE-LIGHT! Ghoulish, Ghostly Tales:

A fun collection about ghouls, ghosts, zombies, and an advice column featuring dead letters from the lovelorn! You'll want to steer clear of Bubba's Cafe after you find out what they serve, and if you teach Group X, you'll be leery of job postings for Certified Zombie Instructors. Quiver, quake and chuckle at these quirky tales of the paranormal.


Delightfully fraught with humor and the macabre, Sullivan's FRIED ZOMBIE DEE-LIGHT masterfully mixes the mundane with the fantastic in her tales of the strange and ghoulish.—Heidi Ruby Miller, author of AMBASADORA and GREENSHIFT; co-editor of MANY GENRES, ONE CRAFT


"Susan Abel Sullivan's talent shines in FRIED ZOMBIE DEE-LIGHT!—a collection full of wicked humor and quirky charm."—Sherry Peters, author of SILENCING YOUR INNER SABOTEUR

“Eerie, delectable, and filled with Southern charm, Fried Zombie Dee-Light will leave you wanting more.”—Rebecca Roland, author of the forthcoming SHARDS OF HISTORY from World Weaver Press

Thursday, September 29, 2011

Guest Blog and Giveaway with Armand Rosamilia





Story Behind The Story: Crow Mill Bridge
by Armand Rosamilia


Welcome to the latest stop of my Skulls World Blog Tour 2011… today I'll be discussing one of the stories from my recent eBook release, the horror short story collection Skulls.

Skulls is six tales from author Armand Rosamilia, including "Memorial Site", "Vacation's End", "1920 Gallery Card #4", "Stairs To The Ocean", "Beastie", "Crow Mill Bridge" plus a preview of the urban horror novella Death Metal.

"Crow Mill Bridge" is actually a pretty old tale and one of the first I ever wrote that I didn't immediately delete, throw out or ignore forever. You see, in my teens I was going to be the Next Big Thing, the kid who challenged King and Koontz for world horror dominance. It didn't quite work that way.

Like all new writers, especially the young ones, I hadn't put in enough time actually writing and reading. I thought the typical 'I can do that!' and I was off, writing cheap knock-off tales that were probably thisclose to plagiarism.

But what it did for me was to get the writing in, to cut my teeth on plots and characters and dead-ends in stories, until I could actually write and go from Point A to Point B to Point C logically. As a kid I remember getting a vague idea for a plot… 'What if Satan came to a shoe store during closing?'… 'What if people, recently dead, were trapped in an elevator on the way to Hell?'… 'What if your boss wanted you to kill another employee?'… you get the idea. Maybe some of those What Ifs? Could be killer short stories, but twenty-five years ago they ended up being lame, unfinished shorts that made no real sense or were riddled with clichés.

Enter Black Moon Magazine. Never heard of it? Well, it was a fancy fanzine that I created and edited way back in the early 1990's. We featured Heavy Metal music and horror stories and reviews. At that point I hadn't written a short story in a couple of years and I had a word processor collecting dust on my dining room table.

Our first issue came out in June 1995, but as we crawled toward the release date we realized that we were missing a few pages of material. My partner, Lou, asked me if I had anything that could be printed. Of course, I said. Of course.

I had nothing that I even remotely liked. I can still remember freaking out as I sat in my lonely dining room, all the lights out, staring at that blank screen. After an hour or six of this I remember going through the mess pile on the table. I used to have this excellent filing system for stories and ideas, where I'd print things out, write things on napkins and scrap paper, and then add it to the overflowing piles on the table. It was a big table, and paper was always spilling onto the floor.

I don't remember what the original idea was that I saw, but I do know it included a character named Scroll. Crow Mill was/is a street name in New Jersey, up around Perth Amboy and Sayreville somewhere in an industrial area. For some reason it stuck and I ended up using those two different things to come up with the basis for the tale.

I think I actually just started writing and the story flowed. We printed it in the first issue of Black Moon Magazine. By the time the second issue was rolling off the presses (you actually had to print things back then) we had so many stories being sent in by authors that I never needed to print another of my stories. In Black Moon, at least.

When I put together the Skulls collection I wanted to get a good cross-reference of my work, old and new, the specific 'high points' of my fledgling career. Of course, I couldn't find a hard copy of "Crow Mill Bridge" since the original was saved onto an antiquated piece of machinery that I no longer owned.

I pulled out my only copy of Black Moon Magazine #1 (July/August 1995) and copied it word for word, struggling mightily to do any rewrite of the story as I did. 25+ years is a long time and there have been many, many words (and sales!) in between then and now, enough that I wanted to rip the story apart and do a complete revision.

I decided against it, to (hopefully) show my progression as a writer.

Let me know what you think!

Skulls on Amazon Kindle

~ Armand Rosamilia

Give away Time!

Armand is giving away an eBook copy of his "Highway To Hell" extreme zombie novella...

Highway To Hell blurb:

The end of the world is upon us... the zombie plague has taken over... and your former friends and loved ones don't want to just kill and eat you... they want to violate you...

includes the bonus short story "Rear Guard"

warning: extreme violence, extreme sexual situations, extreme zombies

To enter leave a comment on this post- tell us what do you love most about zombie novels?

Be sure to include your email address

Thursday, May 12, 2011

Mercy Giveaway with Joshua Grover David Patterson

One of the most frequent things people ask me is some variation of, “What’s up with your name?”

My name, if you didn’t notice, is Joshua Grover-David Patterson. And the questions range from, “Are you two people?” to “Why do you list your real name and your pen name together?”

So let me clear this up – Joshua Grover-David Patterson is my full name. You can find it on my birth certificate. It’s what my parents tagged me with, for reasons that are interesting to me, but probably not to you.

This leads to everyone’s next question: Why don’t you use a shorter version of your name professionally?

There are two answers there.

I grew up in a town where another kid shared my name. Same age, same grade, different schools.

Periodically, he would appear in the newspaper, sometimes with a picture, sometimes not. Inevitably, one of my parents’ friends or acquaintances would clip the article out of the paper and give it to my parents.

Sometimes it got weird. Once I got a call because “I” was late to a science fair. That call came at seven in the morning on a Saturday. I was displeased.

More recently, I got drunk-dialed at 11 PM by someone who wanted to catch up with “me.”

Then there was the time Entertainment Weekly went to a Star Wars convention, and talked to a guy with my name, who lived in my town, who was wearing a homemade Boba Fett costume.

Because of all this confusion, I started using my initials along with my name whenever possible. I wrote my name as Joshua G-D Patterson. Then someone asked why I didn’t put an O where the dash was, and I stopped doing that.

After graduating college, I started writing screenplays. You’d be amazed how many Joshua Pattersons there are in the movie business. One of them acted in “Children of the Corn IV.” Others produce. There’s even one fellow named, no lie, David Joshua Patterson.

So I decided to go all out, use my full name, and even if I confused a few people… at least I’d stand out.

Which brings me to my novel, “Mercy.”

Let’s face facts - there are quite a few zombie stories in the world. And with the advent of e-publishing, new zombie novels aren’t just coming out every week, they’re coming out every day.

So how do I make my novel stand out?

When I was sitting down to write “Mercy,” I knew that it was going to have to be a little different. Scratch that. I knew it was going to have to be very different if people were going to seek it out.

My favorite work of zombie fiction (as opposed to zombie fact, I suppose) is probably George Romero’s “Dawn of the Dead.” There are a lot of reasons for this – great action, a fascinating premise – but most of all, there’s a profound moment where a character dies, and dies badly, and it’s surprisingly poignant. We are, after all, talking about a movie where LOTS of people die.

I decided to create an entire cast like that. Instead of putting twenty people on an island and letting them get picked off, one by one, I wanted to put five, or six, or seven on an island, and make the audience understand what they were going through emotionally.

I wanted the reader to root for everyone to live – and to mourn a little if they didn’t.

This isn’t to say my book isn’t fun. It also has zombie action, a plane crash, island survival, and other fun and exciting elements that I can’t tell you about, because it would ruin the surprises.

In a sense, my name and my novel are similar in that way. Both of us contain elements that are pretty common, and both contain something you don’t see very often.

That works for me.

I’ll be giving away one e-copy of “Mercy” (Kindle, nook, or PDF) – and to win it, all you have to do is offer up something that makes you unique in the comments.

You'll also get a copy of my new vampire novellette along with Mercy.

Be sure to mention which ebook format you would prefer to receive.

I’ll put everyone’s name into a hat and let my four-year-old pick a name.

She promises to be very unbiased, and I’m almost certain she knows what unbiased means.


Blurb:


When Georgina Fulci’s plane crashes into the Atlantic, her troubles have just begun.

Desperate to get home to her family, Georgina and a handful of survivors must find a way to escape an uncharted island… while fighting off hordes of the living dead.


“Joshua Grover-David Patterson writes in a style that will surely connect with many contemporary zombie fans. His use of tone and narrative structure are miles ahead of most who work in the genre.”

-Scott Kenemore, author of “Zombie, Ohio” and “The Zen of Zombie.”


“You expect a zombie novel to have brains, but you don't expect it to be this smart. You expect a number of internal organs to be on display, but you don't expect this much heart. MERCY is a kicka** zombie novel, but it's also a thoughtful, moving story about the joy and importance of being human and alive.”

-Seamus Cooper, author of “The Mall of Cthulhu”


Buy the book:


Check out the author:
 
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